'Medea: Passion vs. Reason\r'

'Medea: Passion vs. actor â€Å"The cholers be like fire, useful in a thousand modalitys and dangerous and in one, with their excess,” stated Christian Nestell Bovee a storied mid-19th century author. â€Å"Logic, like whiskey, loses its beneficial effect when taken in ebulliently large quantities,” stated lord Dunsany a famous Anglo-Irish writer during the 1900s. These quotes demonstrate a vigorous theme in the Greek gyp Medea written by Euripides. In the bit Medea, the booster unit Medea learns that her husband Jason breaks every vow and betrays her by victorious a nonher womanhood to bed.Feeling offraged and hurt, Medea decides to take revenge. She carries out her plan successfully and the play concludes with Medea escaping off to Athens. end-to-end the play, two distinct concepts of beliefs and point of views argon revealed in the two main characters of the play, Medea and Jason. Medea sees the world through the views of petulance whereas Jason s ees the world through the views of curtilage. The main characters express an finis of either heating plant or reason which leads them to their suck up got d causef wholly; more all over, through both Medea and Jasons runs, the strength and impuissance of each attri neerthelesse is revealed.According to the Oxford dictionary, madness is defined as a â€Å"strong and barely controllable sense and a state or outburst of strong emotion”. The protagonist of the play, Medea, demonstrates an un collectable(p) passion which leads her to destruction. The strongest factor that contributes to Medea’s unreasonable passion is her extreme love animateness for Jason. In the beginning of the play the nurse mourns that, â€Å"[Medea’s] pump on fire with passionate love for Jason; nor would she rich person persuaded the daughters of Pelias to kill their father… and she herself helped Jason in every way” (P. 1).The protagonist passionate love for Jas on deceives her thoughts and leaves her with nothing but hope for Jason’s love. However, Medea’s hope strips and shatters to pieces when she learns that Jason has remaining over(p) her for an opposite woman. Medea explains to the chorus that, â€Å"It has broken [her] heart. [She is] finished. ” (P. 8). Medea simply wishes to die. However, Medea’s suicidal mind fades away as her excessive passion feeds upon her abhorrence and rage which leads her to uncalled acts of revenge. She calls out to the gods to pray that â€Å"[she] whitethorn see [Jason], him and his bride and their entire place hattered for the un judgment of convictionly they dare to do [her] without cause” (P. 6). Motivated by animosity, Medea successfully murders the Princess and the king. However, lost in the sea of hatred Medea then decides to â€Å"kill [her] feature children” (P. 26). From her own actions, Medea destroys everything that she cares for due to an excessi ve in both love and hatred. Medea’s slothful love makes her sacrifice her family, status, and home. Furthermore, Medea’s actions due to hatred destroy her future. For example, to achieve ultimate revenge, Medea kills her own two sons to make Jason suffer.However, at the same time â€Å"[Medea] tint the pain [herself]. [She] share[s] in [Jason’s] sorrow” (P. 44). The kill of her own children will make her feel a lifelong agony. For Medea, love does not simply flip to abhorrence. A main cause of this sudden cant over in passion is Jason’s betrayal. Also to Medea, it is her redundant and hurtful pride that unleashes the hate inside her. many a(prenominal) times throughout the play Medea expresses â€Å"For it is not supportable to be mocked by enemies” (P. 26). Medea cannot allow differents to laugh at her misfortune and only through the murder of her enemies could she feel redeemed and her pride restored.Reason defined by Oxford Dictio nary means to â€Å"think, understand and form judgment sensiblely”. Through his own excessive cogitate, the antagonist of the story, Jason, move to destruction. Firstly in his mind, Jason sees everything to be explained by reason. Jason betrays Medea by connecting the Princess of Corinth. His purpose for such a cold hearted action is simply â€Å"that [they] might live well, and not be short of anything” (P. 18). To Jason, all the betraying is just a desperate act in hope to rich person what is go around for the family. Secondly, in Jason‘s mind he never expects Medea to act irrationally because he neglects her feelings.In Jason’s eyeball â€Å"it would lose been for better far for men to wear gotten their children in some other way, and women not to throw off existed” (P. 18). Jason believes that the only reason and positive outcome of married couple is children. Another example is when Jason argues that, â€Å" women have got such a state of mind that, if [their] life at night is good, [they] think [they] have everything; but, if in that quarter things go wrong, [they] will consider [their] best and truest interest closely hateful” (P. 18). Jason thinks that Medea is outraged because he took another woman to chamber. In addition, because he disregardedMedea’s love for him, he does not take into consideration that it is his betrayal that outrages Medea. Having too very much reasoning and too little passion, Jason is left with nothing but hopeless and misery. Jason’s unfitness to see Medea’s revenge causes him to fall from the big top to the bottom leaving him with nothing: no power, wealth, family, bloodlines and respect. In his last conversation with Medea, Jason cries that, â€Å"for [him] remains to cry out loud upon [his] fate, who will get no pleasure from [his] impudently wedded love, and the boys whom [he] begot and brought up, never shall [he] speak to them alive.Oh, [hi s] life is over! ” (P. 44). Medea’s final blow to Jason’s life is providing him with a prophecy about his death. In his character, Jason’s ratio of reason to passion is surely not proportional which blinds him from seeing Medea’s irrationality thence his downfall emergenceed. Everyone in society has both passion and reason. No one has one without the other. Both passion and reason have its own strengths and helplessness which expresses through the main characters of Medea. Through the behaviors of Medea, many strength and weakness of passion are seen.For Medea, Passion is able to contract strength and motivation for her reprisal. In text, Medea’s spacious love for Jason causes her to do anything for him, including sacrificing her own family. On the other hand, Medea’s excessive hatred overpowers her mind and becomes overboard with her actions. For instance, Medea plans â€Å"Next after [putting to death the princess]; for [she] s hall kill [her] own children” (P. 26). Medea killing her own children will surely be the well-nigh evil act of humanity and all result from immoderate passion. Also, positive and prejudicious aspects of logic are shown through Jason’s arguments.Strength of being rational is to be able to think about the positive and negative of things before making a decision. For example, â€Å"when [Jason] [arrives] here from the get of Iolcus … [he] [is], in every kind of difficulty,” he exclaims, â€Å"what luckier hazard could [he] have come across than this, an exile to marry the daughter of the king? ”(P. 18). The outcomes of Jason’s plan have far more advantages than disadvantages. However, an extremity of reasoning may lead to neglecting the feelings of others. For instance, Jason neglects Medea’s love.Even though both have positive and negative aspects, in Euripides’ view having excessive passion is better than excessive reasoning. He consummates the play with Medea having her triumph and escaping to Athens with â€Å"such a transport has Helius, [her] father’s father given [her] to map from [her] enemies” (P. 43). With Medea having the final victory, readers may tell that Euripides chooses passion over reason. One may think, without the ability to feel and to have emotions, human would be no different from robots. These qualities are what make one human.The play Medea justifies both Christian Nestell Bovee’s point, â€Å"The passions are like fire, useful in a thousand ways and dangerous only in one, through their excess” and Lord Dunsany‘s view, â€Å"Logic, like whiskey, loses its beneficial effect when taken in too large quantities” . The extremity of passion and reason are revealed in the play Medea. Jason played a role of a rationalist and Medea an irrationalist. Via Medea’s superfluous passion, disastrous events occur in which guilt and melancholy will accompany Medea for the rest of her life. On the other hand, Jason is left with nothing due to his acute logical mind.His inconsideration for feelings and desire for acquisition are all causes of Jason’s denouement. Through the events in the story, properties, reason and passion have its own strength and weakness. Too much passion could lead to poor choices. On the contrary, de trop reasoning could lead one to a stone-heart. Both Jason and Medea take in an extremity of passion or reason which proves to be their hamartia. Even though each attribute has its own strength and weakness people should have a harmonic balance between reason and passion. solo then would one be ideal in making decisions. Just like in life, everything take to have a balance.\r\n'