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Thursday, January 30, 2020

Nvq 2 Health and Social Essay Example for Free

Nvq 2 Health and Social Essay Personal centred approach is when carers take interest in what service users prefer and use this when providing care. Also, its thinking about the service users choices, right, protecting their privacy and dignity, supporting their independence and working in partnership with them and other colleagues to make the care better. 2. Person centre approach enables individuals with dementia to be involved in their own care and support because carers can talk to the resident and find out how they prefer things to be done, how they like to be spoken to and cared for so staff can give the best care in the way that suits them. Outcome 2 1.Information about personality and life history can be used to support an individual to live well with dementia because if they have a good written history it can help with communication, knowing what the person likes and dislikes if they are unable to tell you. Having a good life history can be used to support and live well because it helps people know more about someone, and look after them better meaning knowing how the like things. Outcome 3 1. All these things make up personal centred approach. Before giving someone care or help with something if we think about all these things and what the service user prefers we can provide the best possible care for them. Also, if we’re providing good care and the service user is happy then they start to feel comfortable and will tell us more about their choices and preferences so we’re able to provide our care at a even higher standard. link

Wednesday, January 22, 2020

Importance of Fidelity in Julius Caesar :: Julius Caesar Essays

Importance of Fidelity in Julius Caesar Humans have always been communal animals. They band together in groups, for social and survival needs. This sense of community brings about the values of dedication and loyalty. The alliances man has created inspires stories and plays about any number of time periods. Many examples of fidelity are illustrated in the characters of Julius Caesar. Antonius appears to be blindly loyal to Caesar. He comes off as a rash supporter in the scene that depicts Antonius viewing Caesar's body. Another situation where Antonius displays fidelity to Caesar is act one, scene two, in which the young runner pledges that whatever Caesar wishes is his command. The wild soliloquy he gives illustrates his allegiance to the slain king, and he seems to sacrifice his body to Caesar's spirit. Such devote feelings spur the reader to wonder what deed Caesar did for Antonius that the younger man would harbor said emotions. Not only the men of Julius Caesar but the women also show loyalty. Although Caesar's wife, Calpurnia, portrays herself as a needy woman, she also shows that she loves her husband very much. Fear overwhelms her when Caesar announces that, though he's been warned that the day would be his deathday, he would go outside. Calpurnia's dread of losing her husband shows that she depends on him very much. However, it is questionable in which way she depends on him: emotionally or monetarily. A woman accustomed to being pampered as an important official's wife would likely wish for her wealthy husband to live, and Calpurnia does give the impression that she is high maintenance. However, it would be unfair to claim she is only loyal to Caesar's money. Portia, on the other hand, is one of the most famous examples of a pledge of faith. She feels hurt that her husband, Brutus, would keep secrets from her because she has never done anything to harm him. She shows him how great her love for him without words by stabbing herself in the thigh, although her eloquent speech is moving as well: "I have made a strong proof of my constancy giving myself a voluntary wound here, in the thigh; can I bear that with patience, and not my husband's secrets?

Monday, January 13, 2020

My Grandmothers House by Kamla Das Essay

Kamala Das is one of the best poets in contemporary Indo-Anglian literature. Kamala Das, born in Kerala in 1934, is a bilingual writer. She writes in Malayalam, her mother tongue, under the pseudonym Madhavikkutty. Her poetry is an exploration of the geography of her own mind, and the lyric is an instance of such self-exploration. Through images of repulsion and horror, she brings out the emotional emptiness and sterility of her married life, and the intensity of her misery as a wife who had to submit to her husband whom she found repulsive, and with whom she had no emotional contact at all. She has won many prizes for her work . some of them being the P. E. N. Asian Poetry Prize, Kerala Sahitya Academy Award for fiction, Asian World Prize for literature, Kendra Sahitya Academy Award etc. She was short listed for the Nobel Prize along with Marguerite Yourcenar, Doris Lessing and Nadine Gordimer. On 31 May 2009, aged 75, she died at a hospital in Pune, but has earned considerable respect in recent years. Themes in the Poetry of Kamala Das: The poetry of Kamala Das is a search for the essential woman, and hence the woman persona of her poems plays the various roles of unhappy woman, unhappy wife, mistress to lusty men, reluctant nymphomaniac {A woman with abnormal sexual desires}, silent Devdasi and love-lord Radha. Kamala Das has also been called a poet in the confessional mode. The confessional poets deal with emotional experiences which are generally taboo. There is a ruthless self-analysis and a tone of utter sincerity. E. V.  Ramakrishnan rightly says, â€Å"In her poetry, Kamala has always dealt with private humiliations and sufferings which are the stock themes of confessional poetry. † Reminiscent of the Poet’s Ancestral Home: The poem is a reminiscence {a mental understanding of the poem by people} of the poetess’ grandmother and their ancestral home at Malabar in Kerala. Her memory of love she received from her grandmother is attached with the image of her ancestral home, where she had passed some of the happiest days of her life, and where her old grandmother had showered her love and affection. With the death of her grandmother the house withdrew into silence. When her grandmother died, even the house seemed to share her grief, which is expressed in a very touching manner in the phrase â€Å"the House withdrew†. The house soon was crushed by grief and snakes crawled among books. Her blood became cold like the moon because there was none to love her the way she wanted. She understands that she cannot reclaim the past but she wants to go back home, look once again through its windows and bring back a handful of darkness – sad and painful memories, which she would have made her constant companion, to keep as a reminder of her past happiness. The poet is unable to proceed with her thoughts for sometime as is indicated by the ellipses dots. The poet is now strangled with the intensity of grief. She craves for love like a beggar going from one door to another asking for love in small change. Her need for love and acceptance is not satisfied in marriage and she goes after strangers for love at least in small quantity. But she does not get it even in small change or coins. Her love-hunger remains unsatisfied, and there is a big void, a blank within her, she seeks to fill up with love but to no advantages . The image of the window is a link between the past and the present. It signifies the desire of the poet for a nostalgic peep into her past and resurrects her dreams and desires. The moon is being an emblem of love. The worms on the books seem like snakes at that moment, in comparison to the size of the little girl. The poet also implies that the deserted house is like a desert with reptiles crawling over. The poet now longs to ‘peer’ at a house that was once her own. She has to peek through the ‘blind eyes’ of the windows as the windows are permanently closed. The air is frozen now, as compared to when the grandmother was alive-the surroundings were filled with the warmth of empathy. Kamala Das pleads with us to â€Å"listen† to the â€Å"frozen† air. Neither is the air a visual medium, nor can air cause any displacement because it is â€Å"frozen†. In wild despair, she longs to bring in an â€Å"armful of darkness†. Firstly, that it is not a ‘Handful’ but an armful. Secondly, ‘darkness’ that generally has negative shades to it, has positive effect here of a protective shadow. It also reflects the ‘coziness’ inside the house. This armful of darkness is her essence of craving for her past. Kamala Das was very proud about her grandmother and the love she received. The Ellipsis after the word loved shows how much she grieves at the loss of the person who unconditionally loved her and satisfied her to the core. She was so convinced by the environment, in which she lived, that the loss of it was indigestible, and un-compromisable. She feels so proud of her grandmother and the house in such a way that she wants all the others know how promising and satisfying was the atmosphere at her grandmother’s home. The pronoun ‘I’ here is very emphatic and also melancholic. Sudden and strong in order to tell the world that no one would or could have come across such an admiring part of life the poet had lived and melancholic to let the readers know that she is a great loser and there can be no loser like her in the world. It also echoes her inner reverberations that when her grandmother was alive she was rich with love and after her demise she became bankrupt and started begging at stranger’s door. She dint expect the equal amount of love that she received from her grandmother from the society she was in but only little. Even that little love she was deprived of. This makes it clear that Kamala’s grandmother was a shape of unconditional love. Conclusion: The poem springs from her own disillusionment with her expectation of unconditional love from the one she loves. In the poem, the image of the ancestral home stands for the strong support and unconditional love she received from her grandmother. The imagery is personal and beautifully articulates her plight in a loveless marriage. Thus, the old house was for her a place of symbolic retreat to a world of innocence, purity and simplicity, a place of complete bliss and delight and peace world where love and happiness are still possible. †

Sunday, January 5, 2020

Critical Analysis Of Anna And The King - 1080 Words

Section 1 – Critical Analysis – Culture, Communication and Conflict The movie Anna and the King (1999), is based on a semi-fictionalized biographical novel written by Margaret Landon. This is a story of Anna Leonowen’s experience in Siam, where she was invited to work as a teacher to provide Western education for the royal family. An intercultural as well as interpersonal conflict is the main theme of the movie. The characters represent different countries, ideologies, cultures and social levels, which makes this conflict hard to avoid. Anna is a young, Christian, widowed teacher, born in an Indian British Colony; she has a strong appearance of an Englishwoman. Although the school that she founded was not successful, she was able to gain†¦show more content†¦There are instances when he uses an accommodating conflict resolution style. For example, at an anniversary celebration, he is indirect and emotionally restraint. When Mycroft Kincaid expresses negative views toward elements of Siamese culture such as polygamy and superstitions, and then uses British ethnocentrism of cultural superiority to show the power of his own culture, Anna steps in as an intermediary to deal with the conflict and avoid humiliation of the king. Throughout the movie, Mongkut uses the dynamic conflict resolution style; he uses stories and metaphors while being indirect and yet emotionally intense. Before telling Anna that he finds certain books inappropriate for his son, he offers a cigar to her son to make her understand how he fe els. All cultures have unique characteristics, such as views, ideals, values, standards etc. Intercultural conflict is a disagreement or incompatibility between those characteristics. An ambiguity, language and conflict styles play an important role when trying to determine causes and ways to manage an intercultural conflict. Development of both main characters in the movie is displayed through a continuous interpersonal and intercultural conflict. At arrival, Anna is notified that she is offered to stay in the palace instead of a private house. It becomes Anna’s big concern; because it was not part ofShow MoreRelatedAnalysis Of Emily Dickinson s A Narrow Fellow 1488 Words   |  6 Pagesmust look at the fear that the young child had for the snake. The â€Å"image was not surprising given the fact that snakes constitute one of the most common objects of intense fears and phobias† (Agras, Sylvester Oliveau, 1969; Fredrikson, Annas, Rischer Wik, 1996; King, 1997). Meanwhil e as Dickinson enables the readers to visualize this creature by calling him â€Å"a spotted shaft† and â€Å"Nature people† lets one to believe that these two thing are close related. 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